Apertura de Glòries
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Some time later, she got a role in a Curt Royston project with the film In Artificial Light (dated 1983, but originally shot in 1982), which consisted of scenes written by the actors themselves. During her section, she recites poetry written by her and talks about her philosophy of life. She also sings the song called “Hot House Flower” with her band Emmy. Biographer Morgan commented that while it did not catapult her to stardom, it left a “better impression” than A Certain Sacrifice.[9] In 2010, the film was cited by the National Film Preservation Foundation of the U.S. Congress,[13] while New York University acquired the rights to the work. In both projects, In Artificial Light and A Certain Sacrifice, she does not appear under the mononym “Madonna”.
Madonna’s professional career took off in 1983, with the release of her eponymous album. A few months later, she became world famous with the release of her second album Like a Virgin in 1984. In her SoHo apartment in New York, she reflected on her situation and the steps she should take from that moment on. She also wanted to be known in the movies, and coincidentally, in the neighborhood lived Susan Seidelman, who had made her directorial debut at the 1982 edition of the Cannes Film Festival. She signed Madonna for her next project, which would be called Desperately Seeking Susan, because she met the qualities she was looking for for one of the leading characters, as she found her to be an interesting, intelligent, very self-confident person with a special personality.[16] Madonna was a very interesting person.
The Machinist
Since 2008, when he presented Tulpan at Cannes, we have not heard anything from Sergey Dvortsevoy. The return comes with Ayka, a very solvent film by the Dardennes, in the aesthetic and formal spirit of Rosetta, which unfortunately seems to arrive too late, when the Dardennes’ style has become universalized and has become a mere formula. It is a mere question of timing that, however, should not lead us to despise a proposal that is at the antipodes of Nadine Labaki’s film, despite dealing with many of the same themes. One might even suspect that the festival has programmed it the day after as an antidote.
Marcello runs a dog grooming salon, combs and grooms his animals. Along with the canine beasts, Marcello is also known in the neighborhood for his ability to feed the ‘beasts’ of the Camorra. He provides them with cocaine and participates in their dirty business. Marcello has the appearance of a poor honorable man, he is separated from his wife but loves his daughter. One day, Marcello ends up in jail for not wanting to denounce the Camorra’s wildest dog. When he gets out, he is going to start a new life, the relationship between the caretaker and the human dogs is going to intensify, to the point that rabies will become present and he will have real problems to keep the human beasts at a distance. The fable of Dogman is evident, can be summed up in a few minutes and perhaps should not pass the short film status. Garrone films human brutality in an unpleasant way, but it is undeniable that there is an intensity in his approach to bodies, to human brutality. It is not a pleasant film to watch, nor is it a good film, but it hides a memorable acting work, from the composition of these extreme characters who do not find dignity in an environment that has just lost it. Ángel Quintana
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En 2001 Pepe Danquart dirigió Semana Santa con Mira Sorvino y Oliver Martínez; Manolete (2006) con Penélope Cruz, Adrien Brody, Juan Echanove y Santiago Segura, dirigida por Menno Meyjes. En 2010 “Ispansi” dirigida por Carlos Iglesias; la película india Zindagi Na Milegi Dobara de Zoya Akhtar; La Estrella dirigida por Alberto Aranda con Ingrid Rubio, Carmen Machi, Marc Clotet y Fele Martínez; la serie de televisión Falcon basada en las novelas de Javier Falcón el escritor británico Robert; Anochece en la India, dirigida por Chema Rodríguez con Juan Diego, Clara Voda y Javier Pereirao o Libertador dirigida por Alberto Arvelo en 2012 con Édgar Ramírez, Danny Huston, Gary Lewis, Iwan Rheon, Inmanol Arias, Juana Acosta y María Valverde.
